downloadable resume
Resume
Education
1974
1972
Teaching
1982 – 2014
1984 – 1985
1981 – 1982
1977 – 1981
1974 – 1977
1974
MFA, University of Washington, Seattle, WA
BA, University of California, Santa Barbara, CA
Professor, San Diego State University, currently Emerita
Visiting Professor, University of Southern California,
Los Angeles, CA (on leave from San Diego State University)
Visiting Professor, Long Beach State University,
Long Beach, CA (part-time)
Visiting Assistant Professor, Pitzer College/Claremont
Graduate School, Claremont, CA (part-time)
Instructor, University of South Florida, Tampa, FL
Instructor, California State University, Los Angeles, CA
Solo Exhibitions
2020
2009
2007
2003
1995
1991
1987
1985
1983
1978
1976
1974
“Nature or Nurture,” RB Stevenson Gallery, La Jolla, CA (2-Person)
“A Wing and a Prayer II,” an installation at the American Museum of Ceramic Art, Pomona, CA
Hyde Gallery, Grossmont College, El Cajon, CA (2-Person)
William D. Cannon Art Gallery, Carlsbad, CA
Quint Contemporary Art, La Jolla, CA
Boehm Gallery, Palomar Community College, San Marcos, CA
Keller Art Gallery, Point Loma Nazarene College, San Diego, CA
Angel’s Gate Cultural Center, San Pedro, CA
Hyde Gallery, Grossmont College, El Cajon, CA (2-person)
Faith Nightingale Gallery, San Diego, CA
Wita Gardner Gallery, San Diego, CA
University of Southern California, Los Angeles, CA
University of California San Diego Craft Center, La Jolla, CA
University of Tennessee, Knoxville, TN
University of Delaware, Newark, DE
University of South Florida, Tampa, FL
Mount St. Maryʼs College, Los Angeles, CA
“A Wing and a Prayer II,” an installation at the American Museum of Ceramic Art, Pomona, CA
Hyde Gallery, Grossmont College, El Cajon, CA (2-Person)
William D. Cannon Art Gallery, Carlsbad, CA
Quint Contemporary Art, La Jolla, CA
Boehm Gallery, Palomar Community College, San Marcos, CA
Keller Art Gallery, Point Loma Nazarene College, San Diego, CA
Angel’s Gate Cultural Center, San Pedro, CA
Hyde Gallery, Grossmont College, El Cajon, CA (2-person)
Faith Nightingale Gallery, San Diego, CA
Wita Gardner Gallery, San Diego, CA
University of Southern California, Los Angeles, CA
University of California San Diego Craft Center, La Jolla, CA
University of Tennessee, Knoxville, TN
University of Delaware, Newark, DE
University of South Florida, Tampa, FL
Mount St. Maryʼs College, Los Angeles, CA
Selected Group Exhibitions
2020
2019
2017
2016
2015
2014
2013
2012
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1998
1997
1996
“Contingent Upon,” Allied Craftsmen sponsored by Southwestern College and Curated by
Marisol Rendon, National City, CA
“Inextricably Linked,” Faculty Exhibition for Renwick Alliance, Jackson Gallery, San Diego State University, San Diego, CA
“Metamorphosis,” Allied Craftsmen Exhibition at the San Diego City College, San Diego, CA
“B.C. to B.C.- Some Clay Artists from Baja California to British Columbia,”
Curated by Peter Rozek, San Diego Art Institute, San Diego, CA
(Panel moderated by Sasha Koozel Reibstein)
“Clay – Ceramic Sculpture,” Point Loma Nazarene University, San Diego, CA
“Convergence – A Ship in the Woods,” Cabrillo National Monument, San Diego, CA
“Women’s Work,” R.B. Stevenson Gallery, La Jolla, CA
“Reshaping the 2%,” Mesa College Art Gallery, San Diego, CA
“Terrestrial,” City Gallery, San Diego City College, San Diego, CA
“Fifty Years of Distinguished Alumni,” Art, Design and Architecture Museum, University of California
Santa Barbara, Santa Barbara, CA
“Object Object,” Helmuth Projects, San Diego, CA
“Allied Craftsmen Today,” Mingei International Museum, San Diego, CA
“The Very Large Array: San Diego/Tijuana Artists in the MCA Collection,” Museum of
Contemporary Art, San Diego, CA
“Doceo Argilla,” Sonoma Community Center, Sonoma, CA
“Kiln Opening,” American Museum of Ceramic Art, Pomona, CA
“Material Matters,” California Center for the Arts, Escondido, CA
“Homing In,” Quint Contemporary Art, La Jolla, CA
“California in Clay,” Muckenthaler Cultural Center, Fullerton, CA
“Watershed Artists,” Stable Gallery, Damariscotta, ME
“Voices from the Pacific Rim: Asian-American Ceramists,” University of Judaism, Bel Air, CA
“Unsoiled: Nature/Culture Themes in Clay,” Indiana University Southeast, New Albany, IN
“Unsoiled: Nature/Culture Themes in Clay,” Tweed Museum of Art, University of Minnesota
“Contemporary Crafts,” JRB Art, Oklahoma City, OK
“San Diego Design: New Work from Allied Craftsmen,” Oceanside Museum of Art, Oceanside, CA
“Japan/USA: A Cross-Cultural Exchange,” Santa Fe Clay, Santa Fe, NM
“Allied Craftsmen,” Boehm Gallery, Palomar College, San Marcos, CA
“Home Sweet Home,” San Diego (Lynceum) Repertory Theatre, San Diego, CA
“Free at the Center,” Carroll Community College, Westminster, MD (NCECA)
“The 4th Annual Invitational Drawing Show,” Earl & Birdie Taylor Library, San Diego, CA
“University of Washington Ceramics,” The Clay Studio, Philadelphia, PA
“Impending Lineage,” Art and Industry Gallery, San Diego, CA
“SDSU Alumni and Faculty,” Town and Country Hotel, San Diego, CA
“The Art of Clay: Contemporary West Coast Ceramics Artist,” Santa Rosa Junior College
“Evolution,” Fallbrook Art and Cultural Center, Fallbrook, CA
“56th Scripps Ceramic Annual,” Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA
“International Contemporary Ceramics From The Igal and Diane Silber Collection,” Laguna Art Museum, Laguna, CA
“Artists in Ceramic Still Life,” Oliver Art Center, California College of Arts and Crafts, Oakland, CA
“West Coast Painting & Sculpture 1997,” Oceanside Museum of Art, Oceanside, CA
“A Survey of Contemporary Ceramics,” Tustin Renaissance, Tustin, CA
“3 Japanese American Claymakers,” Arlington Museum of Art, Arlington, TX
Artist in Residency
2008
Watershed Center for Ceramic Arts, Newcastle, ME
Collections
2016
2012
1997
2012
1997
1995
1992
1991
1987
1984
1977
1974
“Spine,” moved to Scripps College Ceramics Collection, Claremont, CA
“Swing,” The Glorious Array, Museum of Contemporary Art, San Diego, CA
“Spine,” Igal & Diane Silber Collection, Laguna Beach, CA
“Cage,” Bruce Thacker, Tustin, CA
“Companion II,” Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT
“Fortress I,” “La Portada,” “College,” The Key Corporation
“3 Towers,” Isabel Wasserman, San Diego, CA
“The Object – The Memory,” Wita Gardner, San Diego, CA
“Vanity #3,” Betty Sheinbaum, Los Angeles, CA
“Florida Item #5 or Close But No Cigar,” Florida Center for the Arts, Tampa, FL
“Rainbow Trout” (purchased by the City of Seattle as a gift for the City of Spokane World’s Fair Exposition), Spokane, WA
“Swing,” The Glorious Array, Museum of Contemporary Art, San Diego, CA
“Spine,” Igal & Diane Silber Collection, Laguna Beach, CA
“Cage,” Bruce Thacker, Tustin, CA
“Companion II,” Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT
“Fortress I,” “La Portada,” “College,” The Key Corporation
“3 Towers,” Isabel Wasserman, San Diego, CA
“The Object – The Memory,” Wita Gardner, San Diego, CA
“Vanity #3,” Betty Sheinbaum, Los Angeles, CA
“Florida Item #5 or Close But No Cigar,” Florida Center for the Arts, Tampa, FL
“Rainbow Trout” (purchased by the City of Seattle as a gift for the City of Spokane World’s Fair Exposition), Spokane, WA
Commissions
1999
“Vital Parts,” San Diego Commission for Arts and Culture, moved to Mission Valley Library,
San Diego, CA in 2018
San Diego, CA in 2018
Curated Exhibitions
2020
2003
“Sentiment and Skepticism – Our Culture of Contradictions,” The Scripps College 76th Ceramic Annual, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA
“Reinventing Pleasure,” San Diego State University Gallery, San Diego, CA (co-curated with Tina Yapelli, Director, SDSU Main Gallery, and Richard Burkett)
“Reinventing Pleasure,” San Diego State University Gallery, San Diego, CA (co-curated with Tina Yapelli, Director, SDSU Main Gallery, and Richard Burkett)
Grants
2011
2004
2003
2004
2003
1997
SDSU Art Council Grant
SDSU Art Council Grant
Research, Scholarly and Creative Activity Grant, “An Investigation of the Relationship of Ceramics to Architecture in the Early 20th Century and The Use of Ceramics Within Public Art Formats in Contemporary Art”
Research, Scholarly and Creative Activity Grant, “An Interdisciplinary Investigation of Cast Bronze and Manipulated Clay Forms Using Architectural Formats and East/West Themes”
SDSU Art Council Grant
Research, Scholarly and Creative Activity Grant, “An Investigation of the Relationship of Ceramics to Architecture in the Early 20th Century and The Use of Ceramics Within Public Art Formats in Contemporary Art”
Research, Scholarly and Creative Activity Grant, “An Interdisciplinary Investigation of Cast Bronze and Manipulated Clay Forms Using Architectural Formats and East/West Themes”
Selected Panels and Lectures
2020
2020
2020
2020
2017
2014
2013
2006
2003
2000
“The Evolution of Work and Public Art,” Hood College, Frederick, Maryland (See Exhibits and Events)
“Interview with Joanne Hayakawa,” AMOCA (American Museum of Ceramic Art), Pomona, CA (See Exhibits and Events – Interview Video: “A Wing and a Prayer”)
Presentation on the work of Joanne Hayakawa to the San Diego Museum of Art Education Council, October 5
“The Work of Joanne Hayakawa,” The San Diego Museum of Art Education Council
“B.C. to B.C.- Some Clay Artists from Baja California to British Columbia,” Curated by Peter Rozek,
San Diego Art Institute, San Diego, CA (Panel moderated by Sasha Koozel Reibstein)
“Public Art Forum,” San Diego Mesa College, San Diego, CA (Moderated by Robert Pincus)
“Joanne Hayakawa,” “Allied Craftsmen Today,” Mingei International Museum, San Diego, CA
“Joanne Hayakawa,” University of Georgia, Athens Abroad Program, Cortona, Italy
“Joanne Hayakawa” and “Public Art in San Diego and the United States,” State Institute of Ceramics, Faenza, Italy
“Issues in Public Art,” PSFA 320 for Professor Jay Sheehan, Communications Dept., San Diego State University
“A Ceramistʼs Perspective on Andy Goldsworthy” Lecture and Walk-Through, Museum of Contemporary Art, San Diego, CA
San Jose State University, San Jose, CA
“Interview with Joanne Hayakawa,” AMOCA (American Museum of Ceramic Art), Pomona, CA (See Exhibits and Events – Interview Video: “A Wing and a Prayer”)
Presentation on the work of Joanne Hayakawa to the San Diego Museum of Art Education Council, October 5
“The Work of Joanne Hayakawa,” The San Diego Museum of Art Education Council
“B.C. to B.C.- Some Clay Artists from Baja California to British Columbia,” Curated by Peter Rozek,
San Diego Art Institute, San Diego, CA (Panel moderated by Sasha Koozel Reibstein)
“Public Art Forum,” San Diego Mesa College, San Diego, CA (Moderated by Robert Pincus)
“Joanne Hayakawa,” “Allied Craftsmen Today,” Mingei International Museum, San Diego, CA
“Joanne Hayakawa,” University of Georgia, Athens Abroad Program, Cortona, Italy
“Joanne Hayakawa” and “Public Art in San Diego and the United States,” State Institute of Ceramics, Faenza, Italy
“Issues in Public Art,” PSFA 320 for Professor Jay Sheehan, Communications Dept., San Diego State University
“A Ceramistʼs Perspective on Andy Goldsworthy” Lecture and Walk-Through, Museum of Contemporary Art, San Diego, CA
San Jose State University, San Jose, CA
Publications
Inclusion in Books and Catalogs:
Inclusion in Books and Catalogs:
Conard, John W. Cone Three Ceramic Formulas: Clay. Engobe. Stain. and Glaze. Falcon Company, 2006
Latka,Tom and Jean Latka. Ceramic Extruding. Iola, WI. 2001: 110.
Zakin, Richard. Mastering the Craft: Ceramics 2nd Edition. Iola, WI: Krause Publications, 2001: 116.
McNaughton, Mary Davis. 2000 Ceramic Annual: Scripps College 56th Ceramic Exhibition.Los Angeles. CA: Perpetua Press
Zakin, Richard. Ceramics: Ways of Creation. Iola, WI: Krause Publications, 1999: 187-193.
Zakin, Richard. Hand-Formed Ceramics: Creating Form and Surface. Radnor, PA: Chilton Book Company, 1995: 167 and cover image.
Levin, Elaine. Golden Clay, Ceramics Yesterday and Tomorrow: California Women Artists. Edited by Sylvia Moore. New York, NY: Midmarch Arts, 1989: 313-314.
Levin, Elaine. The History of American Ceramics 1607 – Present. New York: Harry N. Abrams. Inc. 1988: 331.
Articles Authored:
“Sentiment and Skepticism – Our Culture of Contradictions,” The Scripps College 76th Ceramic Annual Catalog, Published by Scripps College, Pomona, CA: 2020: 11.
“Architectonic Clay: Built-in Diversity.” NCECA (National Council for the Education of Ceramic Art) Journal, Volume 15. New Orleans, LA: Gumbo Ceramique 1994-95: 19.
Inclusion in Periodicals:
“Upfront.” Ceramics Monthly. June-August 2009.
Levin, Elaine. “Fusing Cultural Tradition.” Ceramic Review. Issue 230. London: Mar.-April 2008: 50-53.
Seckler, Judy. “Voices from the Pacific Rim: Asian-American Ceramists.” Ceramics Monthly Vol. 55. [Westerfield. OH] November 2007: 19-22.
Pincus, Robert L. “Earth Movers – Artists Explore Connections to Nature: Physical World.” Union Tribune. 13 March 2003: 29.
Pincus, Robert L. “Drive-by Works Strike a Glancing Blow for Art.” Union Tribune. 6 Nov. 2000: E3.
“Endurance of Spirit: The Work of Joanne Hayakawa.” Ceramics Monthly Vol. 48, No 3. [Westerville, OH] March 2000: 58-61.
Messenger, Mark. “The Evocative Object.” Ceramic Art & Perception Vol. 31. Australia: 1998.
Levin, Elaine. “Ceramic Still Life.” Ceramic Art and Perception Vol. 32. Australia: 1998.
Santiago, Chiori. “Still Clay.” American Craft Vol. 57. December 1997-January 1998: 51-52.
May 2021